Sunday, July 26, 2015
Thursday, December 04, 2014
By Faiz Ahmed Faiz
[Interpretive Translation by Siyaah]
Teri umeed tera intezaar jab se hai,
Na shab ko din se shikaayat, na din ko shab se hai...
This hope, this wait for you - that I now have,
The night and the day no longer complain about each other...
Kisi ka dard ho karte hain tere naam raqam,
Gilaa hai jo bhi kisi se tere sabab se hai...
The pain from one and all - in your name I register,
You are the reason for all my complaints about any other...
Huwaa hai jab se dil-e-naa'saboor be-qaaboo,
Kalaam tujh se nazar ko bare adab se hai...
Ever since this impatient heart has turned unrestrained,
This gaze addresses you with a new respect altogether...
Agar sharar hai to bharke, jo phool hai to khile,
Tarah tarah ki talab tere rang-e-lab se hai...
That which is a spark - turns wild, the blossom - blooms,
Your lips' color arouses desires of one kind or another...
Kahaan gaye shab-e-furqat ke jaagne-waale,
Sitaara-e-sahari hum kalaam kab se hai...
Where are those gone - who would stay awake through the night of separation?
The morning star alone converses - it seems forever...
Finished a translation after a long time - one that had been growing at the back of my mind for long. My favorite in terms of the uniqueness of Faiz's idea here is couplet . The last couplet was the most difficult to translate - the last line has to be written in a way that it can capture two meanings: the morning star as the only conversation companion left for the poet; but also perhaps the morning star conversing with none but itself (in this sense the poet may identify with the star).
Nusrat Fateh Ali Khan has sung this is a way that I really like- lending it a strange and very slight melancholy quality - that is always there in every line but never goes out of control...as if one is resigned to this fate; the singing is an interpretation in itself.
A different style - surprisingly lesser known - is enjoyable in the older rendition by Ustad Amaanat Ali Khan.
Saturday, May 10, 2014
Bas ek zindagi si hai usse...
Na uske saath hoon na tanhaa,
Ajab dillagi si hai usse...
Khoye un aakhon mein zamaane guzre,
Ab talak bekhudi si hai usse...
Kaun hua kiska baqaul-e-Firaaq,
Ummeed aakhri si hai usse... 
Is zindagi-e-gunaah ke beech,
Ek paakeezgi si hai usse...
Zindagi yoon bhi guzar hi jaati,
Haan ek dilchaspi si hai usse...
Main kahaan khatam wo kahaan shuru,
Kaisi be-takallufi si hai usse...
Hain sitaare kab se gardish mein,
Meri duniya thami si hai usse...
Har taraf dard dhoondhta hai mujhe,
Dil mein par ek khushi si hai usse...
Hai jo hosh ab to us hi se hai,
Hai jo deewaangi si hai usse...
Masjid-o-mandir se kya lagaaein dil,
Qurbat roohaani si hai usse...
Kya sitaare nazar mein tikte,
Hai ek silsilaa-e-naummeedi,
Dor jiski bandhi si hai usse...
Ab duaon mein hi naam hai uska,
Namaaz ki paabandi si hai usse...
Chalo is janam jo hua so hua,
Aakhirat to bani si hai usse...
Hain us hi raah-e-siyaah par hum,
Duur wahi roshni si hai usse...
 "Baqaul-e-Firaaq": As stated by Firaaq. References the lament by Firaaq Gorakhpuri "Kisi ka yoon to hua kaun umr bhar phir bhi", which I translated quite a while back.
 Dilchaspi: interest / curiosity.
 Be-takallufi: frankness / informality.
 Qurbat: continual approach and coming nearer, implying a connection / link
 Pabandi: regularity. Roohaani: spiritual.
 Aakhirat: hereafter / afterlife.
 Sometimes an entire ghazal can be held up for long because the right maqtaa (closing couplet) does not manifest itself...finally it did - how many interpretations are possible for this?
Tuesday, January 21, 2014
This song featured in a recent Korean drama series (Sachoongi Medeullli or "adolescence/puberty medley" in the English translation - doesn't translate well I think), which also has some more Korean music, such as "Stargirl" (which starts the show, and fits well as the slower background theme music). The dedication that has gone into making such a KBS series is quite impressive - amazing details and visuals- regardless of how one relates to the story...although I believe the characters, events and culture may ring a bell with a South Asian audience. With some patience, the full complexity of the story becomes clear - particularly the details of each character and their development - and it does serve as a window into understanding some aspects of contemporary culture there:
A review (spoilers) with links to all four episodes here.
Tuesday, January 07, 2014
Tum to wafa mein sar-gardaan ho, shauq mein raqsaan rehti ho;
Mujh ko zawaal-e-shauq ka gham hai, main paagal ho jaunga...
Tum to mere saath rahoge, main tanha reh jaunga...
Shaam ko aksar baithay baithay dil kuchh doobne lagta hai;
Tum mujh ko itna mat chaaho, main shaayad mar jaunga...
Ishq kisi manzil mein aa kar itna bhi be-fikr na ho;
Ab bistar par laitoonga main, lait-tay hi so jaunga...